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How can the greatest possible degree of creativity and error-friendliness be achieved? By choosing a medium that is as haptic and experimental as possible, embedded in a space that invites everyone.
This is what happened during the workshop for the current exhibition MUSIK AUS STROM at the Volkskundemuseum. After a brief introduction to the history of the synthesiser, it’s straight down to the instruments: all the explanations are given in a deeply relaxed and almost self-explanatory manner, which leads to an exuberant jamming session. Just like in a classical orchestra – only democratic, unexpected and without hierarchies.
